Skip to main content

Review: Low Orbit Satellite – Disposal Orbit (2014)

Recently, I came across a really interesting Techno album. Someone bought some music I recommended on Bandcamp, so I looked at what else they liked, and found it there. I was attracted initially by the name of the artist and the stark image of Sputnik on the cover. I was hoping for some spacy Techno.

It starts right in with a raw Roland 303 bassline, on a track aptly-named “303 Walk With Me”. Within a minute as the atmospherics kicked in, I was thinking, “Yup, spacy Techno!”

Through the rest of its 50-minute running time, I was not disappointed with anything I heard. Compositionally, it sounds like Techno from the early to mid 1990s, but sonically it’s very up-to-date.

While being quite consistent in its sound, there is variety to be had. Unsyncc brings in dubby elements and a bouncier sound, to great effect. Immediately after, we get Wiredbx which has a heavy and oppressive vibe. Then Libration Point lightens up again. Near the end we get Dumbells, which sounds more like Acid Techno. The closer (I’m not counting the trailing remix as the closer) Mass Transit Relay is a classic Techno album finish that drops the pounding beat and brings in a haunting flute; it’s a sound that leaves me wanting more of this stuff.

Had I listened to this without knowing its release date, I would have been very surprised to find out it landed in 2014. LOS’s previous full album from 2012 (named “2010”) sounds like it came out many years later than Disposal Orbit. Which indicates to me that the artist set out deliberately to bring us some older-sounding Techno with updated technology.

I recommend giving this a listen if that idea interests you.

Bandcamp link to the first track.

Comments

Popular posts from this blog

Interview: Bola

A little while ago, I asked Bola (Darrel Fitton) if he would kindly answer a text interview. He said he would, and another little while later, the following text file arrived. My questions are in italics, his answers follow. At the time of posting, he has a new album on the way, D.E.G! See his artist page at Skam Records here: Skam Records On a personal note, I am so thrilled to have the honor of posting this. Bola is one of my favorite artists, and I am terribly grateful that he took the time to give us this interesting insight into his work. How did you get started in music? I've played piano from about the age of 7 and that's probably why I still have classical leanings, but I would say my first introduction to something resembling contemporary music would have been through my skateboarding buddies at about 14 years old. Those guys were all a bit more clued up in most things than me back then.. and I guess being part of that crew led me to being introduced...

Review: Liuos – Negative Ions (2019)

I get notifications from a label that specializes in Dub Techno and Ambient music, Cold Tear Records . They are based in Lithuania, and have a treasure trove of hidden gems in their catalogue. Since I have bought something from them, I get emails whenever they release something. This has been a great boon to my music collection, and this review covers one of those releases. Negative Ions is a 4-track EP from Liuos (the recording name of Jari Österberg), an artist from Finland; it's available at Bandcamp . When I first queued this up, I immediately liked it. It's got both a heavy and bouncy vibe to it, if that makes any sense. The bass is thick, the kick drum has a crisp tone reminding us of the bottom note of the key signature, and the rhythms above give it a lot of liveliness. Just a few specific notes: Synoptic Scale includes some traditional Reggae rhythms in it, signaling Dub Techno's roots in Jamaican Dub. While I don't have a comment about Nacreous Clouds, it...

Interview: Submersion

In 2015, I got a notification on Bandcamp that someone I follow bought "Deluge" by an artist I had not heard of named Submersion. By then, this was already a long-time name used by Justin Francazio to release his electronic music compositions. I gave it a quick listen and was instantly impressed with its depth of texture, unusual sound, and the wide variety on its four tracks. Since then I've hunted down everything I can by him, and it's all very good. Recently, I had to opportunity to get an interview. What follows gives some interesting insight into his music. How did you get interested in constructing music? It was possibly the early exposure to the small electronic section of my record store, early online music sites, or dissatisfaction with traditional music. But starting in my teenage years I wanted to make music electronically. Around that time, I was searching online late at night trying to figure out how to accomplish this, and out of the blue I'd receive...