Skip to main content

Review: DJ Storm – Kicks, Snares & Hi Hats, Vol. 01 (2016)

In the early 90s, I discovered that there were certain threads in the Hip Hop world that I liked. Eric B & Rakim, Ice T, Method Man (well, the first album anyway), and some others. As the genre drifted further into the mainstream, I found I liked less of it, and have been away from that universe for quite some time. Maybe my problem was just that I didn't know where to look. At any rate, DJ Storm has released a collection of tracks that recall that era in Hip Hop, while maintaining a more modern sound in terms of its recording engineering.

It features a large number of guest MCs who have a variety of styles ranging from more serious to very playful. I find myself actually laughing sometimes at funny lyrics delivered with good timing. The common thread among the tracks is Storm's attention to detail and flair for sticking firmly with a certain Golden-Era sensibility while keeping them all from sounding the same.

From the first track, "Back", we have a good sense of what's to come. Sharp beats, sparse musical background, and cleanly-delivered raps. I don't expect this album will generate many hits for music lyric websites!

"Stay Away" is up next, and it's one of the funnier ones. The easy way styles change from track to track continues throughout the rest of the collection. I'm sure this works well because of the artist's ability to keep a strong vision of what kind of music he wants on the album.

Storm is a drummer, and many of the drum tracks are either performed live or at least samples of his playing. "Hip Hop Shit" is one of the tracks that features a full live drum track. Check out the music video here.

Since he's from Montreal, a few of the tracks are in French. I always find it interesting to hear rap in different languages. Since I don't understand French very well, I can't really comment very well on the content of those. Given the consistency of the rest of the album, I'm going to go out on a limb and say they're probably just fine!

I couldn't finish a review of a Hip Hop album without commenting on the scratching. DJ Storm's scratching style is somewhere between the melodic style of Eric B and the rhythmic style of DJ Zero. It's good that he reserves the scratch segments for places where they sound natural. Like a great drummer who knows when not to show off (my favorite example is Ringo playing "In My Life"), DJ Storm knows when to punctuate his music with some furious wristwork.

Overall, I recommend giving this a listen. I particularly recommend it to people who like a more historical take on Hip Hop.


Comments

Popular posts from this blog

Interview: Arjen Schat

Sometime around 2011, I bumped into Waveform Transmission's "V1.0-V1.9" release, which is a really interesting Dark Ambient album. It's quite obscure and hard-to-find, so I found a download on an obscure music blog in order to listen to the whole thing before trying to hunt down a CD to buy. Rod Modell worked on that, and when I hunted for his other stuff, I first found Dub Techno. Going back to the music blog, the author had just posted that he was listening to some quality Dub Techno by Ohrwert, called "Yesteryear". This was my first introduction to the musical world of Arjen Schat, a composer from the Netherlands who works in several different genres of electronic music. Over the years since finding his music, I've been quite interested to see how his styles have evolved. Recently I felt I had enough understanding to do an interview with him to get some inside information on how he works. He was kind enough to answer my questions; many thanks to him

Interview: Submersion

In 2015, I got a notification on Bandcamp that someone I follow bought "Deluge" by an artist I had not heard of named Submersion. By then, this was already a long-time name used by Justin Francazio to release his electronic music compositions. I gave it a quick listen and was instantly impressed with its depth of texture, unusual sound, and the wide variety on its four tracks. Since then I've hunted down everything I can by him, and it's all very good. Recently, I had to opportunity to get an interview. What follows gives some interesting insight into his music. How did you get interested in constructing music? It was possibly the early exposure to the small electronic section of my record store, early online music sites, or dissatisfaction with traditional music. But starting in my teenage years I wanted to make music electronically. Around that time, I was searching online late at night trying to figure out how to accomplish this, and out of the blue I'd receive

Review: Liuos – Negative Ions (2019)

I get notifications from a label that specializes in Dub Techno and Ambient music, Cold Tear Records . They are based in Lithuania, and have a treasure trove of hidden gems in their catalogue. Since I have bought something from them, I get emails whenever they release something. This has been a great boon to my music collection, and this review covers one of those releases. Negative Ions is a 4-track EP from Liuos (the recording name of Jari Österberg), an artist from Finland; it's available at Bandcamp . When I first queued this up, I immediately liked it. It's got both a heavy and bouncy vibe to it, if that makes any sense. The bass is thick, the kick drum has a crisp tone reminding us of the bottom note of the key signature, and the rhythms above give it a lot of liveliness. Just a few specific notes: Synoptic Scale includes some traditional Reggae rhythms in it, signaling Dub Techno's roots in Jamaican Dub. While I don't have a comment about Nacreous Clouds, it