Skip to main content

Review: DJ Storm – Kicks, Snares & Hi Hats, Vol. 01 (2016)

In the early 90s, I discovered that there were certain threads in the Hip Hop world that I liked. Eric B & Rakim, Ice T, Method Man (well, the first album anyway), and some others. As the genre drifted further into the mainstream, I found I liked less of it, and have been away from that universe for quite some time. Maybe my problem was just that I didn't know where to look. At any rate, DJ Storm has released a collection of tracks that recall that era in Hip Hop, while maintaining a more modern sound in terms of its recording engineering.

It features a large number of guest MCs who have a variety of styles ranging from more serious to very playful. I find myself actually laughing sometimes at funny lyrics delivered with good timing. The common thread among the tracks is Storm's attention to detail and flair for sticking firmly with a certain Golden-Era sensibility while keeping them all from sounding the same.

From the first track, "Back", we have a good sense of what's to come. Sharp beats, sparse musical background, and cleanly-delivered raps. I don't expect this album will generate many hits for music lyric websites!

"Stay Away" is up next, and it's one of the funnier ones. The easy way styles change from track to track continues throughout the rest of the collection. I'm sure this works well because of the artist's ability to keep a strong vision of what kind of music he wants on the album.

Storm is a drummer, and many of the drum tracks are either performed live or at least samples of his playing. "Hip Hop Shit" is one of the tracks that features a full live drum track. Check out the music video here.

Since he's from Montreal, a few of the tracks are in French. I always find it interesting to hear rap in different languages. Since I don't understand French very well, I can't really comment very well on the content of those. Given the consistency of the rest of the album, I'm going to go out on a limb and say they're probably just fine!

I couldn't finish a review of a Hip Hop album without commenting on the scratching. DJ Storm's scratching style is somewhere between the melodic style of Eric B and the rhythmic style of DJ Zero. It's good that he reserves the scratch segments for places where they sound natural. Like a great drummer who knows when not to show off (my favorite example is Ringo playing "In My Life"), DJ Storm knows when to punctuate his music with some furious wristwork.

Overall, I recommend giving this a listen. I particularly recommend it to people who like a more historical take on Hip Hop.


Comments

Popular posts from this blog

Interview: Bola

A little while ago, I asked Bola (Darrel Fitton) if he would kindly answer a text interview. He said he would, and another little while later, the following text file arrived. My questions are in italics, his answers follow. At the time of posting, he has a new album on the way, D.E.G! See his artist page at Skam Records here: Skam Records On a personal note, I am so thrilled to have the honor of posting this. Bola is one of my favorite artists, and I am terribly grateful that he took the time to give us this interesting insight into his work. How did you get started in music? I've played piano from about the age of 7 and that's probably why I still have classical leanings, but I would say my first introduction to something resembling contemporary music would have been through my skateboarding buddies at about 14 years old. Those guys were all a bit more clued up in most things than me back then.. and I guess being part of that crew led me to being introduced...

Interview: Submersion

In 2015, I got a notification on Bandcamp that someone I follow bought "Deluge" by an artist I had not heard of named Submersion. By then, this was already a long-time name used by Justin Francazio to release his electronic music compositions. I gave it a quick listen and was instantly impressed with its depth of texture, unusual sound, and the wide variety on its four tracks. Since then I've hunted down everything I can by him, and it's all very good. Recently, I had to opportunity to get an interview. What follows gives some interesting insight into his music. How did you get interested in constructing music? It was possibly the early exposure to the small electronic section of my record store, early online music sites, or dissatisfaction with traditional music. But starting in my teenage years I wanted to make music electronically. Around that time, I was searching online late at night trying to figure out how to accomplish this, and out of the blue I'd receive...

Review: Zzzzra – Vive la Lenteur (2014)

When we think of Dub Techno, the names Deepchord, Basic Channel, and Andy Stott come to mind. Over the past several years, Zzzzra has been releasing great Dub Techno albums one after another, and in my opinion, he belongs on that list. Vive la Lenteur is a double-disc set of tracks released on Brian Grainger’s Recycled Plastics label, and it’s another great set. There’s a single-disc edition of this release, but it’s a combined group of tracks from both parts of the double; I’ll be writing about the double. Last.FM (I’m almo2001 there) tells me that as I listen to the opening track, “Il N’y A Pas De Fin”, that I have heard it at least 34 times. I’m hearing things I have not heard before. This means that while the music is fairly minimalist as Dub Techno usually is, that it has a lot of layers and subtlety to it. It has a warm and calming sound, but there’s subtle distortion on some parts of it that give it an edge. On a personal note, I find that there is gentle music that I find l...